Images From Around this Blog!

24 May 2012

Lovecraft eZine - Now on Amazon!

Did you know that you can now get the Lovecraft eZine via Amazon?  I mean, you've always been able to get it for your Kindle via their own website, but now the most recent issues, including the latest one, are available on Amazon as well.  Given the low price (just 0.99 per issue!) and the ease of Amazon's One-Click service (this is not just shilling....it really is about the easiest way to buy an ebook), it's got to be the best way of getting a regular dose of great writing on your ereader or mobile thingy.  I don't have any work in the May issue due to scheduling issues, but there's lots of talented people who do, and if you even slightly enjoy weird fiction, this magazine is well worth a look.

By the way, I am scheduled to have an illustration in the June issue, so make sure you grab that one as well.


20 April 2012

Stuff I Like: WTF with Marc Maron

I don't have a lot of new work to post right now; besides working on the next volume of "Brutal Blade of Bruno the Bandit", I've been working on some private commissions that I'm not really free to post to this space.  I've got a cover coming up for an issue of "Sky Pirates of Valendor", but that's about it for public work for now.

Still, I've got to use this space for something, don't I?  So, I thought it might be a good opportunity to start sharing some reviews of things I enjoy.  Like my self-publishing work, this will be done on an "as I can get to it" basis, and when I haven't got anything more important to do, or I'm not trying to catch up on new releases on Netflix.  Who says I haven't got my priorities straight?

I like podcasts.  A lot.  As I write this, I've got 29 episodes of 27 different podcasts waiting on my phone...and only that few because I've made a concerted effort in recent weeks to whittle down that number, as I felt I was getting backlogged.
Podcasts for me are like magazines for my ears; they're a direct channel of information from the source to my brain without requiring the intermediate use of my hands or eyes.  That means that I can consume them by the gigabyte while engaged in other things, like certain aspects of my day job, or while at the drawing board, or while doing paste up on the next book for AIM Comics.  Podcasts are free, disposable infotainment and are easily accessible on a good podcatcher, in my case "Pocket Casts" for Android.  Through the use of podcasts, I get daily doses of fiction, news, comedy, interviews, history lessons and shows on just about anything else I care to take an interest in, with some stops for guilty pleasures along the way (more on those another day).  They make my workday go a little bit faster while allowing me to consume information at a much faster rate than I could just by reading.  In short, I think they are the perfect form of disposable media.

One podcast I've come to recently, and rather late, is WTF with Marc Maron.  It's an interview-based show hosted by standup comedian and insightful neurotic Marc Maron in which he talks with contemporaries and legends in the entertainment industry.  I've missed a lot of the shows and haven't yet signed up for the premium package to get access to his back catalog, but since I've started listening, I've heard Marc give great interviews with such people as Jeffry Tambor, Russell Brand, Chris Rock, Michael Cera, Mindy Kaling, Penn Jilette and Weird Al Yankovic. 


Maron is really using the novelty and freedom of the medium to its finest in this series.  We're so used to seeing celebrity interviews as shallow two minute snippets on Entertainment Tonight that it's easy to forget there's a deeper aspect to the work these people produce and the roads they take to create that work.  Maron uses the long format of his show (most episodes run over an hour to an hour and a half in length) to get behind the creative process of the subject, as well as their own developmental process as a creative person.  This always leads to a better understanding and appreciation of the people and their work, and often to the creative process in general.  It's rare that I finish an episode of WTF without at least one small moment of satori

What really helps in this process is that Marc is very open about his own life and frame of mind, and as an experienced standup comedian, he has decades of stories from inside the industry.  He injects a lot of himself into each interview to establish a personal connection with his subjects and reaps a much richer harvest as a result.  It seems at this point that subjects come to his "garage" expecting to have their personal lives delved a bit and bring a willingness to open up more than usual. 
Occasionally, Marc will also host a live WTF event with a panel of comedians which make for some of his funniest episodes.  And this is a comedy podcast at heart; Mark always seems to be able to infuse a sense of humour into the conversation, no matter how dark the subject matter may get (check out the Matt Graham episode from February to see what I mean).  He's got a self-deprecating intellectual approach that never allows things to stay too serious for too long.
What's especially funny to me is that I remember when Marc was a guest on the "Nobody Likes Onions" podcast a few years ago.  He commented on how impressed he was with the show's setup at that time, saying something to the effect that "I got to get me one of these podcasts".  Skip forward a couple of years and his show has developed a huge amount of status and a large following, and he has become one of the premiere names in the medium.
Updating at least weekly, "WTF" is one of the shows I most look forward to in my playlist.  Even when he's interviewing someone I've never heard of, Marc always makes the show enjoyable and insightful.  I recommend that anyone interested in the inner workings of the entertainment industry give it a try.  If nothing else, do yourself a favor and listen to the episode with Penn Jilette (who knew his family is from Newfoundland?). 
"WTF With Marc Maron"...stick it in your ears.

26 March 2012

New Work Published: Lovecraft EZine #12

The latest issue of Lovecraft EZine is now up for your enjoyment.  This time around, I"ve got a photo manipulation illustration for Nicole Cushing's story "A Catechism for Aspiring Amnesiacs", a wonderful story that I am proud to be attached to.  As always, the issue is free to read online, but I do strongly recommend shelling out the 99 cents a month to get the mobile version for Kindle or Nook (or the apps thereof...).  It's always a great read, and definitely deserves your support.

Meantime, here's a preview of my cover from Issue 11, sans cover copy.  Astute viewers will notice a difference between this version and the one published on the magazine's cover.  That's because this piece was originally created for the serialized online mythos novel "City of Pillars" by Derek Pegritz, but has sat in my unused folder for a while since publication ceased on that story.  I was happy to be able to find a home for it at Lovecraft EZine, and to finally be able to share it with an appreciative audience.  I've got a couple more images from the same project that I've yet to find a place for, but I'm sure I will eventually.  Enjoy.


20 February 2012

New Work Published: Lovecraft EZine #11

The latest issue of Lovecraft eZine is up, and this time I've managed to snag myself a cover spot.  This time, I depict a Great Old One menacing the shores of a major metropolis....check it out over at Lovecraft eZine
As usual, you can read the magazine online for free, or pay a small amount to download it for your mobile reading device.  I recommend the latter option, since us Lovecraft fans need to be doing as much as we can to keep work like this alive, and publisher Mike Davis really rolls out a top notch effort with every issue.  Even better, subscribe to the magazine for a buck a month, and they'll email you the mobile version when it's available. 
To really put the icing on the cake, be sure to check out their newest feature, audio versions of the stories in the magazine.  Nothing makes that walk in the park more enjoyable than pouring some eldritch horror into your ears!

Just to give you a taste of the kind of work I'm doing for this magazine, here's my illustration for the Henrik Harksen story "Just an Accountant" in issue #9.  It's an attempt to evoke a little of the old Virgil Finlay Weird Tales style.  Not entirely successful, as I don't yet have Finlay's masterful hand with hatching, but I think it's headed in the right direction.  What do you think?


24 January 2012

Apes and Dinos by Nick Bradshaw

At Hal-Con 2011 in November, I had the good fortune to meet Marvel artist Nick Bradshaw, and more importantly to grab a copy of a limited edition print he was selling with some incredible art featuring a giant ape and a couple of hungry dinos.  Apes and dinos?  What's not to like?
Of course, one of the reasons I had to get my hot little hands on this piece was so I could have the fun of adding color to the piece.  Nick's art is heavily detailed, so it took quite a bit of what I laughingly call my spare time to do this, but I think the end result was definitely worth it.  I've shared the piece over on Nick's Facebook wall, and thought it would be fun to post it here as well.  This is a pretty big piece, so be sure to click through to see it in all it's glory.  And be sure to check out Nick's work over at Facebook, or at Marvel Comics.  As always, comments and criticisms are welcome.

I should add, for the sake of keeping myself honest, that the original art is copyright Nick Bradshaw, and this color job was not commissioned by nor is it endorsed by him.  It was done just for fun, and is being reposted here for the same reason.


16 January 2012

Now See This!

I frankly love Warren Ellis for being a writer, and writing this.  Especially for writing this:

"You are, in many ways, writing a love letter intended to woo the artist into giving their best possible work to the job. A bored or unengaged artist will show up on the page like a fibrous stool in the toilet bowl, and that’s not their fault — it’s yours."

 I'm a writer as well as an artist, although more of the latter than the former these days.  If nothing else, I know the value of giving an artist clear instructions and then allowing them to do what they do best, which is make art.  Not ape someone else's style.  Not modify someone else's work.  Not if you want to get their best work.

At the risk of whining, let me just add that you're even more responsible for the lackluster results you get when you give the artist hardly any instruction up front, then wait until they deliver the finished work and make them change everything, as if he or she was supposed to psychically divine your intent of the fine details from the start.  Then ask them to change it all again.  Then make them do it in someone else's style.

As much comic art is work for hire, I know that a writer can't allow the artist to run doolally all over the script, but a good relationship between creative types should be symbiotic, not reminiscent of that between an office manager and a cubicle monkey.  The philosophy espoused by Mr. Ellis above is why writers like he and Alan Moore always get such amazing results from the artists they work with.  Look at Planetary, or From Hell, or for that matter Millar and McNiven's "Nemesis" or Mills and Bisley's "Slaine", and tell me that those artists weren't having a ball, and that the work isn't better for it.

Do yourself a favor, especially if you're a writer, and go read the rest of Warren Ellis's article, "What a Comics Script is For".  An artist, and your readers, may someday thank you.



22 December 2011

New Work Published: Lovecraft EZine #9

Lovecraft eZine issue 9 is now available, featuring my illustration for Henrik Sandbeck Harksen's story "Just an Accountant".  This time around, I tried to evoke a little of the spirit of Virgil Finlay for my illo.  I've been studying Finlay's work recently, and am amazed at his innovative use of hatching to create texture and depth.  Check out the story, and be sure to let me know what you think.

Also, keep an eye out for a cover by me for an upcoming issue of Lovecraft eZine, possibly as soon as January.