Images From Around this Blog!

25 February 2015

A is A, and I am I

I have a new print available in my Society 6 store, taken from Chapter 11 of Ayn Rand's novel "Anthem".  Anyone who knows me knows that I'm inordinately fond of Rand's philosophy, and a lot of it is summed up nicely in this short sample.  Now you can also proclaim your intellectual liberty with an eye-catching print, t-shirt, or what-have-you from the Society 6 store.  Take a look, and be sure to tell me what you think!

http://society6.com/product/quote-from-ayn-rands-anthem_print#1=45

20 January 2015

Brain Dead: A Work in Process

Recently, I was hired to create a poster for an upcoming tour by the thrash bands Brain Dead and Madrost.  I thought it would be fun for me, and possibly instructional for some, to show the steps I took to making the final image for what turned out to be a kickass piece of work.  Enjoy.

Preparatory notes:  I have a little bit of history with Brain Dead, having designed the art for their demo CD and their first studio album, and had created a mascot of sorts for them that they wanted to use on the poster.  I had no direct contact with Madrost for this project, but they had a mascot of their own that needed to share prominent space on the poster.  The notes I was given for the poster indicated that they wanted something that showed the two main figures doing violent things to the audience at a thrash metal concert.  From that, I got the idea that they would be brutalizing the crowd, but that the crowd was loving it, kind of the way a good metal concert will tear up your eardrums (at the least!), but is more enjoyable the more it does so.  The band liked the idea, so off to the drawing board I went!

At this stage, I really just wanted to nail down the concept and composition of the piece and make sure the major elements got enough room.  I was also asked to leave some room at top and bottom for text placement, so I avoided putting any important details in those areas.
Just for a personal touch, I looked up some photos of the members of Brain Dead and sketched them into the drawing.  I may have hidden a small self-portrait in there as well, but I ain't telling!

As I've mentioned here before, most of my ink work these days is done on a tablet PC.  I met cartoonist Mark Oakley a few years ago and he let me play with his Toshiba Portege, and I've been a tablet convert ever since.  I'm currently working on a Fujitsu Lifebook T5010, and it's the best art tool I've ever bought.  If there ever comes a day I can't get a tablet PC with pressure sensitive pen input, I think I'll be lost.
For this, I scanned the pencils in pieces using a nifty little hand scanner I found a while ago, and stiched the whole thing together.  Then I opened the piece in Sketchbook Pro and a couple of my favorite custom brushes to ink the piece.
When I'm working on a project like this, I'm always aware of where my influences are coming from, and they're always coming from somewhere.  Working on a piece like this, the work of Derek Riggs on Iron Maiden's album covers can't help coming to mind, but I was also aware of bringing in a little influence from such odd characters as Drew Friedman and Robert Crumb.  That's the kind of odd paths my mind takes at times.  Plus, if you'll take a close look at those clouds in the background, you'll see I've been toying with the style of Nico De Lort a little; his work has just been blowing me away lately.
Clearly, I tightened things up a lot here, and I must confess to one little cheat:  the buildings on either side in the background were photographs that were corrected for perspective, then converted to black and white using the Threshold tool and Gaussian Blur filter in Photoshop.  It saved me some time and gave me the raw kind of look I wanted for those areas.


Here, the color work begins.  For this I switch over to Photoshop, and follow a very comic book style process.  My first task here is to do flat colors for the whole piece.  This lets me get the overall color scheme in place and figure out where I need to balance or adjust colors.
I knew that the bands were going to want to add some text at the bottom, so I made the crowd nearly monochrome to create a good contrasting background for anything they might drop in there.  You can see that I'm leaning towards primary colors here to give the final image more impact, with just enough variation to allow me to establish depth and make the central figures pop.



Next, I add another layer set to multiply and brush in some shadows using a bluish shade of grey.  I realize a lot of colorists use channels for this sort of thing, as using layers increases file size significantly, but I'm more comfortable using layers, and my PC has plenty of RAM, so if it ain't broke, don't fix it, right?
Somewhere in there, I added the "Brain Dead" logo (also my design) to the band mascot's hat.  In earlier images, the hat says "Thrash", but we've changed it for this version for a bit of brand recognition.
Now we finally start to get some depth to the figures, even the monochrome ones, and this thing is starting to come together.
On top of that, I add yet another layer set to Lighten, and add some highlights.  Using the extra layer like this lets me adjust the intensity of the highlights much easier than if I were to paint them right onto the flat color.
Now this thing's getting much more life, and getting much closer to done.  Time for a few special effects.


For this (nearly) final stage, I added three special effects, one of which is very subtle.  First, the glow from the stage lights was created using the lasso tool and a gradient fill on a layer set to Screen mode.  Then, I selected the area around the trailing edge of the discs the robot creature is throwing, did a "Copy/Merged" in Photoshop, pasted the copied area as a new layer and ran a Motion Blur filter on the layer to add a slight sense of motion to the discs. 
Finally, I pulled a little trick that's sort of the artistic equivalent of backwards masking in music.  I found a large, good quality scan of Bruegel's "The Triumph of Death" and pasted it over the background layers (everything except the figures).  This is very subtle, but it lends a little bit of texture to the background plus it lends a little symbolist depth to the whole piece.  It's probably difficult to see at all in the online version.  If you happen to see a good print of this, look in the lighted areas of the background, especially right around the spotlights, and you'll catch a bit of it.  This is not the first time I've used this technique, but in prior attempts it was a little more obvious.

As I did not have to add the text areas myself, I guess we're done now, right?  Wrong.
Since this was going to be printed up for offline distribution, I wanted to be sure the colors would register properly and that the printed product would look good, so I had a test print done locally before sending it off.  In so doing, I found out that the Brain Dead character was turning out WAY too pink, and that the red tones overall were just way off.  So, I took it back to Photoshop for some color adjustments and tried it again.
 NOW we're done!  This final version doesn't come across quite as vibrant online, but it prints a whole lot better.  This is the one that shipped off to the band to add the final text to promote their tour.
And here's the poster with all the added text.  If you're in L.A., keep an eye out for this thing around town, and be sure to check out Brain Dead and Madrost when they roll through in May!

02 January 2015

Happy 2015! What's Next?

Happy New Year to anyone still checking in here.  I will not address the lack of posts on this blog; it's all been due to an influx of work in the past few months that has prevented me from doing extraneous things like blog posts.  I consider that a good thing.
Unfortunately, most of it has been work that I cannot post here for one reason or another, and it doesn't look like that's going to change any time soon.

What will be changing is the simple fact that, for the foreseeable future, I will not producing any more work for free.  That too is a good thing.  I had read a couple of articles about this in 2014, but had not really had the courage to act on it as I believed the myth about doing work "for exposure".  I have produced a fair amount of work on that basis, but the exposure, so far, has been sorely lacking.  For now, I've got enough paying work either in progress, lined up, or on the way, that it would be counterproductive for me to try to squeeze in any free work on top of my schedule.  Financially, I cannot take time away from paid projects to work for nothing. Plus, I really need to take some time to focus on my personal projects like the books over at AIM Comics and the illustrated edition of "Supernatural Horror in Literature' that I want to produce.

So, for the time being, you won't be seeing any new work for (for example) Drabblecast, Lovecraft EZine or Sky Pirates of Valendor.  Especially that last one, but we won't get into that.  If any of my former free customers want to offer even token payment for work, I will try to fit them into my schedule, but doing work for free is really getting me nowhere, so it's got to stop.

I'm hoping to have more work to share here soon, starting with a kickass new poster I'm designing for the group Brain Dead.  I'm really kicking out the jams for this one, and looking forward to showing it off.  I'll also have a new issue of "The Journals of Simon Pariah" out soon, and will see if I can find a way to share some of the other work I've produced recently.

Here's to a happy and profitable 2015!

Check out this handy flowchart from http://shouldiworkforfree.com/! Ironically, it was produced for free!


19 September 2014

High Society!

Inspired by some other artists I know, I've recently opened a store on Society6, where you can buy prints and products featuring my art.  For now, it's mostly another source for the same products you can buy through my DeviantArt store, although I am going to be making an effort to upload a new image each week for a while.  Keep an eye on it; you might find something you like!


05 September 2014

New Work Published: Lovecraft EZine Issue # 32

Available online right now is issue 32 of the Lovecraft EZine, featuring one badass cover by Lee Copeland.   This issue also has a piece of work I created for the story "King Kane", by John Howard. 

It's a perfect blending of two of my favorite icons, Lovecraft and Citizen Kane.  As such it was as much fun to read as it was to illustrate.  Head on over and check it out.

Meantime, here's my illustration for "The Yellow Sign" by Robert Chambers from issue 30 of the EZine.  The plan is to make this one of a few dozen pieces for an illustrated version of H.P. Lovecraft's "Supernatural Horror in Literature" to be published under the AIM Comics imprint...eventually.


18 August 2014

New Work Published: Drabblecast # 335 - To Whatever

Hooray!  It's Lovecraft month over at the Drabblecast.  All things squamous and cthonic will be celebrated throughout the month of August, with some decidedly great fiction coming down the line.
This week's offering is "To Whatever" by Shaenon Garrity, featuring an episode cover by yours truly.  This one's a lighter sort of creeping doom, paying homage to stories such as Rats in the Walls and Dreams in the Witch House.  Give it a listen.
By the way, if you get Drabblecast in a mobile podcatcher, you should know that the art, frankly, looks terrible.  Seems I didn't plan well enough for the scaling necessary for small screens.  I strongly recommend you take a look at the full-sized version, as there's a couple of nice Lovecraftian in-jokes there.


22 July 2014

Christmas in July Sale

Did you know that for a limited time you can buy AIM Comics's publications at DriveThru Comics for 25% off during their Christmas in July Sale?

Well you can, so get over there and grab some deals before the "season" ends!